The C 418 miniature condenser clip-on microphone has a specifically tailored frequency response for drum and percussion miking applications and is an alternative to the C 419 for loud trumpets. Its hypercardioid polar pattern rejects leakage from nearby instruments.

The versatility of the C 1000 S makes this an extremely popular model, and one ideally suited for all kinds of recording and live sound applications. If no phantom power is available, the mic can be powered by a standard 9 V battery, making it perfect for mobile use.

The D 112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers won’t faze it, because the D 112 handles up to 160 dB SPL with no audible distortion.

Dynamic microphone for miking instruments and backing vocals in tough night-after-night onstage use. The D 770 features a cardioid polar pattern that is virtually the same for all frequencies ("frequency independent") and uses a patented AKG Varimotion diaphragm.

Elegant gooseneck module with heavy, shock mounted floor stand in matte gray finish for use with all Discreet Acoustics Capsule Modules. Integrated LED ring status indicator. Suited for stand-alone use on stage or in front of a lectern. Two integrated flexible gooseneck sections allow optimum alignment with talkers of different heights or positions. A supplied screw-on extension tube can be used to place the microphone higher for tall talkers.

If you’re looking for a reliable all-round dynamic microphone, the XM2000S is a good place to start. It’s rugged enough to withstand the abuse of the road, and will accurately pick up just about anything you can think of.

The famous Sennheiser "flat-profile" design, updated for modern performance requirements whilst maintaining all of the microphone's classic features.

The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels.

The compact Shure Beta 56A is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. Its extremely uniform supercardioid pickup pattern provides high gain before feedback and excellent rejection of unwanted noise.

The Shure Beta 57A is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration.

The Shure Beta 58A is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide.

The Shure Beta 87A is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability. Used for professional sound reinforcement, broadcasting, and studio recording applications, the Beta 87A combines superb performance with the ruggedness needed for touring and field production.

The Beta 87C premium vocal microphone delivers studio-grade performance and a smooth, extended high-end frequency response in a cardioid condenser design.

The Shure Beta 91 is specifically designed for kick drums and other bass instruments. The Beta 91 combines superior "attack" and "punch" for studio quality sound, even at the extremely high sound pressure levels encountered inside a kick drum. Its boundary effect design produces a strong, solid low-end response that has been specifically tailored for heavy bass applications.

For toms, snares and percussion instruments, no other microphone stands up to the performance and versatility of the Beta 98D/S. The Beta 98D/S is a high performance mini-condenser microphone designed to excel at professional sound reinforcement or recording. Its ultra-uniform pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise. The interchangeable cartridge (cardioid or supercardioid) allows you to adapt the microphone to specific applications.

The Beta 98H/C and the wireless version WB98H/C is a premium cardioid condenser instrument microphone that clamps onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument 'key noise' and other mechanical noise. A gooseneck angle brace is included to provide better retention of the microphone placement during more active performances.

Microflex Standard Gooseneck microphones bring a whole new meaning to the word flexible with their fully adjustable gooseneck. Designed for easy replacement and available in cardioid, supercardioid and omnidirectional polar patterns, the interchangeable cartridges offer wide frequency response and accurate sound reproduction for a wide variety of applications, such as houses of worship, courtrooms and conference centers. Plus, the condenser cartridges fit every model in the Microflex product line for enhanced convenience and consistent sound.

The legendary Shure SM57 microphone is exceptional for musical instrument pickup and vocals. With its bright, clean sound and contoured frequency response, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds.

The Shure SM58 unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. It has a tailored vocal response for a sound which is a world standard for singing or speech. A highly effective, built-in spherical filter minimizes wind and breath "pop" noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise.

The Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals.

The SM94 is a unidirectional electret condenser microphone tailored to the instrument miking needs of professional musicians and sound engineers in both live performance and sound recording. Its smooth, flat frequency response is free of either a presence peak or a low-frequency rolloff, making it a perfect choice for all types of musical instruments.