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Our popular MX3282A console offers the quality, reliability and flexibility you need to master numerous live sound or recording applications.

  

  • All channels offer effective equalization plus full-fledged mute, solo and routing functions. 
  • Each bus has a separate output, a PFL function, and can be routed to the main mix. 
  • Both consoles offer a switchable solo function (PFL or solo-in-place), inserts for all mono channels, subgroups and main mix, balanced channel inputs and outputs and BNC lamp connectors.
  • The MX3282A offers 28 channels (24 mono, 4 stereo) and 8 subgroups plus stereo main bus.
  • A total of 8 aux sends and 4 stereo returns give you extreme flexibility.

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  • Document Icon behringer_mx3282a.pdf

   
 

Available in frame sizes of 24 to 56 input channels, Series FIVE is ideally suited to a whole range of demanding applications from touring to theatre installation. Series FIVE’s comprehensive standard feature set includes LCR panning, aux master levels on 100mm faders, full-spec stereo modules and FX returns, plus flexible MIDI scene control. Despite the Series FIVE's high level of facilities, the console's layout is clear and reassuringly familiar. This has been achieved without compromising the audio quality.

  

  • 24-56 channel frame sizes 
  • 4 stereo mic / line inputs with full EQ as standard
  • Rugged power supply with three year warranty 
  • 8 sub-groups 
  • 12 auxiliary busses 
  • 10 VCA groups 
  • Built-in 16x10 output matrix 
  • 4-band fully parametric EQ on both mono and stereo inputs 
  • Sweepable filters on all input channels
  • Input metering on every channel 
  • VU output meterbridge included as standard 
  • 8 mute groups plus 256 MIDI controllable snapshots of all input and output mutes 
  • MIDI program change transmission and DataFader continuous controller 
  • Switchable LCR panning as standard 
  • Compact, lightweight frame designed to withstand touring

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  • Document Icon soundcraft_series_five.pdf

   
 

Ideally suited for both Front-of-house and Monitor use, the new Soundcraft MH3 provides sound contractors and venues with the critical commercial advantage of complete console flexibility. All it takes is the touch of a button to place either Groups or Aux Masters onto faders, delivering intuitive and uncompromised operation in either application.

  

  • The MH3 is available in five frame sizes with legendary Soundcraft sound quality delivered via a new high-headroom mic amp, classic British EQ and rigorous circuit design.
  • What’s more, the MH3 is a true modular console. Channels can be quickly removed and replaced in blocks of eight, making it easy to configure the MH3 to meet the user’s precise requirements and ensuring the robust reliability a life on the road necessitates.

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  • Document Icon soundcraft_mh3.pdf

   
 

The Monitor 2 combines all the necessities of a professional monitor desk with elegant design feature aimed at speed and clarity in use - such as Split outputs that allow easy connections to a FOH mixer without using splitter leads. And because versatility is a priority in all of the Spirit Range designs, the Monitor 2 is flexible enough to perform FOH mixing where no other mixer is available. Available in 24, 32 and 40 channel frame sizes, Spirit Monitor 2 has twelve sends including two stereo pairs specifically for in-ear monitoring. All Monitor sends are pre-post fader switchable and, in addition, each input has a built-in mic splitter, negating the need for dedicated splitter boxes on stage. Monitor 2 has 4 band EQ section with two mid-swept frequencies on every input, plus EQ in-out switches. Other features include a DIM Switch, alleviating feedback problems by immediately attenuating each monitor output by 6dB, two dedicated effects returns and two house mic heeds, allowing performers with in-ear monitors to hear the audience as part of their mix.

  

  • 4-band EQ with two swept mid bands
  • 12 monitor sends with 1-8 mono and 9-12 stereo 
  • UltraMic+preamps on all mono inputs * +48V phantom power switchable on all channels 
  • 24, 32 and 40 channel frame sizes
  • Split Out connectors avoid the need for special cables or splitter boxes
  • Pre-EQ insert point on all mono channels 
  • Dim switch cuts monitor output level by 6dB 
  • Sub-grouping on channels 1-10 provides FOH mixing capability
  • Rackmountable external power supply

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Series Five Monitor is a dedicated Monitor mixing console designed to meet the exacting requirements of today’s major tours and installations. With input channels boasting a feature set similar to that of the highly-respected five Front-Of-House console, five Monitor offers an equally high level of control over stage sources as its brother, but adds to this the comprehensive routing and Output control required from a Monitor console.

  

  • In response to the demand for larger, more complex Output capability, five Monitor is available in two frame types - 24-bus and 32-bus. The 24-bus version includes as standard a 23 x 12 Output Matrix, giving an impressive maximum Output capability of 38 balanced Outputs. The 32-bus frame has as standard a 23 x 16 Output Matrix, making a massive total of 50 balanced Outputs. The proliferation of stereo Keyboard or Submix sources, in addition to the trend towards in-ear monitoring, means that stereo Output capability is now no longer a luxury option: both five Monitor frame types support stereo Outputs - 9 stereo on the 24- bus, and 17 stereo on the 32-bus console.
  • The 24-bus console is available with 44, 52 or 60 input channels. The 32-bus console is available with 40, 48 or 56 input channels. 
  • For those situations which demand that Outputs feed a combination of different systems (wedges, in-ear), the five Monitor offers TWO SOLO systems - regular SOLO and ALT SOLO. Via a simple switch on the Outputs, each Group and Matrix Output bus may be set to send to either of these SOLO systems, making setup of accurate SOLO configurations (perhaps a Main wedge on SOLO, and an engineer In-Ear set on ALT SOLO) a simple task. 
  • In addition, via a special pair of auxiliary MIDI ports, the five Monitor can send messages to a BSS FPC-900 Varicurve™ Remote Controller or dbx DriveRack™ to select particular slave EQ devices in a rack whenever a five Monitor Output SOLO is activated. This accelerates considerably the process of SOLOing and editing an Output EQ. Of course, all of this is packaged in the rugged, road-proven frame of the five, designed to keep weight and size to a minimum without sacrificing mechanical integrity. The package is completed by the addition of the same acclaimed all-new five power supply design - the CPS2000, featuring built-in redundancy link, industry standard linear circuit design and plenty of headroom.

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  • Document Icon soundcraft_series_five.pdf

   
 

Looking for a simple, easy to use mixer that delivers an exceptional audio performance? The Spirit E Series is it. For recording, live, install or broadcast use there's a Spirit E Series for you.

  

  • The emphasis with the Spirit E Series is very firmly on quality audio performance, with an easy to understand control surface uncluttered by unnecessary facilities. Mic and line inputs are provided on balanced XLR and 1/4" jack connectors for optimum performance, with the main stereo outputs on balanced XLRs for better integration with other professional equipment. There are also insert points on every mono channel and the mix outputs for external signal processing.
  • Through additional rack ears, the E Series can be quickly transformed into a rack-mounted desk suitable for use on the road or in custom furniture. All four mixers in the range occupy just 9U of standard rack space.
  • Because levels are constantly changing throughout the signal path – from the preamp stage, through filtering and EQ – the Spirit E Series provides peak LEDs on all input channels. These monitoring LEDs are fed from multiple points in the circuit path to ensure nothing gets overlooked. The main stereo mix has two 10-segment LED meters, with a SOLO indicator to show whether any solo channels or aux masters are being monitored. With all this information instantly available, efficient control is easy to maintain.

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  • Document Icon soundcraft_spirit_e6.pdf

   
 

Mixing in larger venues requires more than just extra inputs and outputs - you need effective means of controlling the way that signals are routed, along with facilities such as grouping and mutes that make it easy to deal with all those channels. The Spirit Live 42 is designed for just these situations.

  

  • Soundcraft's UltraMic Plus preamp give a 66dB gain range, making it capable of handling a wide range of input signals. The EQ on mono channels is a 4-band configuration with two swept mids, with six aux sends. It has full mute group facilities with four mute groups controlled from the master section.
  • All mono inputs also feature pre-fade listen, 100mm linear faders, insert points, direct channel outputs, individually switchable +48V phantom power, phase reverse, EQ in/out switching and a hi-pass filter. The stereo inputs - two on every 12-channel frame, four on other frame sizes - feature shelving 2-band EQ and six aux sends.
  • In the group section, all four groups have 100mm linear faders, insert points, and individual output jacks. The six auxiliary master sends have their own rotary level controls with four stereo returns. Metering is via six 12-segment bargraphs.
  • It also has a 10x2 matrix in the master section, making it easier to deal with multi-speaker systems in theatre sound reinforcement. The main stereo XLR outputs are ground compensated with insert points and a separate mono output is available to feed a centre speaker cluster.

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  • Document Icon soundcraft_spirit_live.pdf

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